Make Your Drums BIG With Parallel Compression - Black Octopus Sound
  • Futuretone Artist Interview – June DnB Month

    As part of Black Octopus Sound’s month-long celebration of Drum and Bass, we’re diving deep into the creative minds pushing the genre forward. First up is Futuretone (aka WubbaDuck) an unstoppable force known for crafting razor-sharp basslines, intricate rhythms, and high-octane tracks. With packs that blend gritty underground textures and polished production finesse, Futuretone has […]

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  • Using sound design to break through writers block

    Using sound design to break through writers block by Jake @ Cryonaut Media That Awful Feeling Writer’s Block. Maybe you’re trying to come up with a good hook to complement the chords you just arranged, or maybe a bridge. No matter what you do though, you can’t seem to come up with anything that works. It […]

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  • 10 Amazing VST Synthesizers

    10 Amazing VST Synthesizers IMAGE-LINE HARMOR Image-line Harmor is a very unique synthesizer capable of incredible sound design possibilities.   At the heart of the synth is an additive resynthesis engine, meaning you can load your own samples into Harmor and they will be resynthesized and converted into ‘partials’ which will give you much more […]

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  • Going Deep with Music Marketing and Management – Interview with Thomas Gerbrands

    Today, we are taking the dive with Management and Marketing in Music! This is the perfect ‘tips’ and ‘insider info’ for those coming up, as much as those already established. Thomas Gerbrands is the manager of SHOOK (you may know SHOOK from his legendary Synth Funk style, quirky videos, or his Sample Pack “Shook Synth […]

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  • 10 Key New Serum 2 Features!

    After many years of anticipation, the legendary Serum 2 synthesizer has been released! Serum is one of the most popular software synthesizers in the world and the second version of this synthesizer is an incredible gift to the music producers of the world. Join Imaginate in this insightful look into 10 of the most exciting […]

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